
Nine American traditional staples in heavy black outline.
Tattoo flash
American traditional and flash grew up together. The bold black outline, the simple readable shapes and the limited palette all come from designs drawn to be sold as sheets and tattooed fast in street shops. These three sheets put the classics back on the wall — as outlines you can print at true size and take to the stencil.

Reapers, dragons, gods and monsters in old-school linework.
Traditional flash is built to read from across a room and to last: heavy black outlines, solid black shading and simple shapes with room around them. Early flash artists such as Lew Alberts and August “Cap” Coleman drew and sold sheet after sheet of these designs, refining them to be more readable and durable, and much of the flash still on shop walls traces back to their work.
“Old school” means the same thing — the terms are used interchangeably. Many artists tattoo these outlines in black only, which is what people mean by black traditional flash; the same outlines work just as well with the classic red, yellow and green.
Traditional pieces are the backbone of flash days and patchwork sleeves: small, self-contained designs that sit happily next to each other, with skin left between them. Each design on these sheets prints at about 2 in (5 cm) — a typical patchwork size — and the four religious pieces print larger so their faces keep their detail.
Want a single design rather than a sheet? Every one has its own page in our traditional tattoo stencils, and our guide to traditional tattoos covers the style’s history and rules.